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The fire is coming — April 2026 newsletter

April 2026 — Forgotten Rites Publishing


May 1 is thirty days out. I’ve been watching it approach the way you watch a fire being lit at a distance, the glow visible before you can feel the heat.

Blade and Bone: Oath of Steel and Shadow launches on Beltane. That date wasn’t chosen for the branding. It was chosen because Beltane is what the book is actually about, underneath the soul bond and the Norse mythology and the enemies-to-lovers tension: the threshold you don’t get to choose whether or not to cross. Astrid gets shoved through hers. Most of us do.

But we’re getting ahead of ourselves. Here’s what’s happening this month.


Blade and Bone — ARC copies on NetGalley right now

If you review books anywhere (Goodreads, BookTok, Bookstagram, your own blog, doesn’t matter how big), the ARC is available on NetGalley right now and I’d genuinely love to get it into your hands before launch day.

This is D.R. Quill’s debut. An indie launch lives or dies by early reviews. If you’ve been looking for a Viking romantasy with a soul bond, morally gray leads, and Norse mythology that actually does something, this is the one.

Request your ARC on NetGalley →

Launch day is May 1. Kindle pre-orders are live now.

Pre-order Blade and Bone →


First faire of the season — April 25

Three weeks before Beltane, the season opens at the Fairy & Renaissance Festival at Veterans Memorial Park in Clarksburg, WV. I’ll have the full table: both Donald Quill and D.R. Quill titles, including advance copies of Blade and Bone ahead of the official launch.

If you’re in the area, come find the table. I’m easy to spot: the one with too many books and strong opinions about Irish mythology.

April 25 · 12:00 pm – 8:00 pm
Veterans Memorial Park, Clarksburg, WV

Then the week after: Cape May Renaissance Faire, May 2–3. First public event after the Blade and Bone launch. Signed copies will be there.

See the full 2026 event schedule →


What’s coming in May

The Beltane newsletter will go deep on why I chose May 1 as the launch date: the mythology behind the festival, what thirty years of Beltane practice actually looks like, and how a Viking romantasy ended up being a Beltane story. That one goes out launch week.

If you’re not already on the list, forward this to someone who’d want it. The subscribe link is below.


A note on The Waking Ground

I know some of you are here for the Irish mythology fantasy, not the romantasy. Book 1 of The Waking Ground is in progress. I’ll have a proper update in the coming months. What I can say: the story is intact, Corra is intact, and the land is very much paying attention.


Thirty days. The fire’s coming.

— Donald

Forgotten Rites Publishing
forgottenritespublishing.com
BookTok: @ForgottenRitesPublishing

Three Releases, Three Worlds: Your 2026 Reading Journey Begins

Living the Irish Wheel releases Feb 1 | Ash and Feather arrives Feb 6 | Blade and Bone launches May 1

January 2026 Author Update

Dear Readers,

Winter has arrived in full force, and with it comes a season of endings and beginnings. As Imbolc approaches and the wheel turns toward spring, I’m honored to share three major releases that span the spectrum of my work: spiritual guidance rooted in Irish tradition, the epic conclusion of a beloved fantasy trilogy, and the fierce beginning of a new Viking saga.

Walking the Sacred Year: Living the Irish Wheel of the Year

Releases February 1, 2026

Before the fiction, the foundation. On February 1st, I’m releasing Living the Irish Wheel of the Year, a comprehensive spiritual guide for those who walk the path of Irish Paganism. This isn’t academic theory or distant mythology. This is practical wisdom for modern practitioners who want to honor the ancient holy days as our ancestors did.

Drawing on over thirty years of practice as a priest of the Mórrígan, this guide takes you through each of the eight sacred festivals: Samhain, Winter Solstice, Imbolc, Spring Equinox, Bealtaine, Summer Solstice, Lughnasadh, and Autumn Equinox. You’ll find historical context, modern ritual practices, seasonal recipes, and meditations that connect you to the land and the turning year.

This is the book I wish I’d had when I began my journey. Whether you’re new to Irish Paganism or seeking to deepen your existing practice, may it serve you well.

The Crowmother’s Final Call: Ash and Feather

Releases February 6, 2026

Three books. Three years. One epic conclusion.

Five days later, the Songs of the Crowmother trilogy reaches its thunderous end with Ash and Feather. For those who have walked with Maeve through blood and battle, who have felt the Mórrígan’s dark wings shadowing every choice, who have watched kingdoms rise and fall beneath Irish skies, this is the moment you’ve been waiting for.

The final battle looms. Ancient powers stir. And Maeve must face the ultimate question: what price is she willing to pay for victory? In a world where gods walk among mortals and the line between champion and sacrifice grows ever thinner, some choices cannot be unmade.

What readers are saying about the series:

“A masterful blend of Irish mythology and epic fantasy that honors the source material while creating something entirely new.”
“Maeve is everything I want in a fantasy protagonist: flawed, fierce, and fundamentally human even as she walks with gods.”
“The Mórrígan has never felt more real, more terrifying, more necessary. This is mythology brought to vivid life.”

Ash and Feather will be available in ebook, paperback, and hardcover. Pre-order now at: https://a.co/d/gUlHxb7

⚔ ❄ ⚔

A New Saga Awakens: Blade and Bone

Now Accepting ARC Readers | Launching May 1, 2026

As one story ends, another begins. While the Crowmother’s tale draws to its close, I’ve been crafting something entirely different: a Viking romantasy that trades Celtic mysticism for Norse fury, Irish battlefields for frozen fjords, and divine mandates for impossible choices between duty and desire.

Welcome to Oaths of Steel and Shadow, a new series that begins with Blade and Bone.

The Story:

Astrid Bjornsdottir dies on a frozen battlefield, her blood soaking into the mud alongside her enemies. But the goddess Freyja has other plans. Resurrected and bound by divine command, Astrid is sent on an impossible mission: infiltrate the hall of Erik Bloodaxe, the cursed warlord of the north, and steal Blodravn, Odin’s own spear.

Disguised as a thrall, slave in the house of her enemy, Astrid expects to find a monster. What she discovers instead is a man fighting desperately for control over the berserker rage that threatens to consume him. Erik believes the spear can break his curse. He’s wrong. But as betrayal closes in from all sides and an undead army rises from Helheim, Astrid must choose: complete her mission for the goddess who gave her life, or save the man she was never supposed to love.

In a world where gods bargain with mortal lives, where blood oaths bind tighter than steel, and where the veil between the living and dead grows dangerously thin, some loves are worth betraying the gods themselves.

What Makes This Different:

✦ Authentic Viking-age setting with Norse mythology

✦ Enemy-to-lovers with real stakes: she’s his slave, sent to betray him

✦ A cursed hero fighting for control, not redemption

✦ Gods who meddle, betray, and demand impossible prices

✦ Shieldmaiden protagonist torn between divine mission and mortal love

✦ Draugr rising, jarls warring, and a soul-bond that defies death itself

Join the ARC Team

Blade and Bone launches May 1st, and I’m looking for Advanced Review Copy readers who love Viking sagas, Norse mythology, and romantasy with teeth. If you want enemies-to-lovers with genuine stakes, cursed heroes, divine interference, and a love story forged in blood and betrayal, I want to hear from you.

As an ARC reader, you’ll:

• Receive an early digital copy on March 15th (6 weeks before launch)

• Get exclusive behind-the-scenes content about Viking research and world-building

• Have the opportunity to provide feedback that shapes the series

• Be credited in the acknowledgments (if desired)

• Join a community of readers passionate about Norse culture and epic storytelling

In exchange, I ask for an honest review on Amazon, Goodreads, or your blog/social media within two weeks of the official release. Whether you love it or have critiques, authentic reader voices are what help books find their audience.

🗡️ BECOME AN ARC READER 🗡️ Applications now open for Blade and Bone Apply now: https://forms.gle/y7GYbMBhNEMjUGen9 Limited spots available • Applications close March 1, 2026

What’s Coming Next

DateMilestone
February 1Living the Irish Wheel of the Year releases
February 6Ash and Feather releases (Songs of the Crowmother Book 3)
March 1Blade and Bone ARC applications close
March 15ARC copies distributed to selected readers
May 1Blade and Bone launches (Oaths of Steel and Shadow Book 1)

A Personal Note

These past months have been a journey of balance: walking between the spiritual practice that grounds me, the Celtic twilight of the Crowmother’s world, and the frozen violence of the Norse sagas. As I prepare to send Maeve’s story into the world one final time, I’m filled with both melancholy and fierce pride. This trilogy has been a labor of love, a deep dive into the mythology I was raised with, and a chance to explore what it means to be both chosen and damned.

And yet, even as one door closes, another opens. Blade and Bone represents new territory: different mythologies, different power dynamics, and a romance as sharp as the weapons my characters wield. Astrid and Erik’s story is about the gods we serve, the oaths that bind us, and the loves worth defying divine will to protect.

Living the Irish Wheel of the Year is perhaps the most personal of all. It’s the distillation of decades walking this path, the wisdom earned through practice and devotion, offered to those who seek to honor the old ways in modern times.

Whether you’re here for the spiritual guidance, the Mórrígan’s final call, or ready to sail into Viking waters, thank you for being part of this journey. Every reader who picks up one of these books, who takes the time to leave a review, who shares their love of these stories with others, you make this work possible. You make it worthwhile.

May your blades stay sharp and your fires burn bright,

Donald

━━━━━━━━━━━━━━━━━━━━━━

Connect & Order

Pre-order Ash and Feather: https://a.co/d/gUlHxb7

Apply for Blade and Bone ARC: https://forms.gle/y7GYbMBhNEMjUGen9

Website: https://forgottenritespublishing.com/

TikTok: @authordonaldquill

Instagram: https://www.instagram.com/quillsys74

Forgotten Rites Publishing

Behind the Revision: Making Echoes of the Otherworld Stronger

When I first released Echoes of the Otherworld, readers responded warmly to Ríona’s journey from priestess to something far greater. The book earned a solid 4.05 rating on NetGalley, with readers praising its authentic Celtic mythology and atmospheric storytelling. But as any author knows, the work doesn’t end at publication.

Over the past months, I’ve had the privilege of revisiting this story with the help of beta readers and advanced manuscript analysis tools. What emerged is a significantly enhanced edition that preserves everything readers loved while addressing areas that needed strengthening.

What Changed?

Deeper Character Development

One of the most significant improvements involves the supporting cast. The Silent Warrior’s arc now has stronger foreshadowing of his eventual betrayal, with earlier scenes showing his growing fear that Ríona is becoming something beyond his ability to protect. His motivations feel more authentic, and his redemption carries greater weight.

Breasal, the blind poet, now has clearer personal stakes in the outcome. His prophetic burden feels more meaningful, and his role as witness to Ríona’s transformation has been deepened throughout.

Enhanced Emotional Resonance

The analysis revealed that some of the story’s most pivotal moments (particularly Ríona’s sacrifice of her voice) deserved more space to breathe. I’ve expanded these sequences to better convey the magnitude of her losses and the profound nature of her transformation. The cost of transcendence now feels more immediate and personal.

Tighter Pacing

While the atmospheric Celtic world-building remains (that’s what makes Echoes what it is), I’ve streamlined some of the travel sequences and ritual descriptions that slowed narrative momentum. The mystical encounters still have their power, but now they move with greater purpose.

Clearer Stakes

The consequences of Ríona’s potential failure are now more explicit. Readers will better understand what hangs in the balance: not just for the gods, but for the mortal communities who depend on the sacred connection between worlds.

Refined Prose

I’ve addressed repetitive phrases and tightened sentence structures throughout, particularly in action sequences where urgency matters most. The lyrical quality that serves the mythological themes remains, but now it serves the story more efficiently.

Better Integration of Lore

The extensive Celtic mythology and historical detail that grounds this story is now woven more naturally into character interactions and action sequences. The world reveals itself through experience rather than explanation.

What Stayed the Same?

The core of Echoes of the Otherworld remains unchanged:

  • Ríona’s transformative journey from mortal priestess to guardian between worlds
  • The authentic Irish Pagan perspective rooted in real mythology and archaeology
  • The themes of memory, sacrifice, and the relationship between mortals and gods
  • The atmospheric prose that captures the mist-shrouded world of ancient Ireland
  • The spiritual practices and sacred sites that make this world feel real

Why This Matters

I’m committed to offering readers the best possible version of every story I publish. The revision process, while demanding, reminded me why I write: to honor authentic Irish tradition and share it with those who feel the call.

For those who already own Echoes of the Otherworld, the foundation you’ve built remains solid. These revisions deepen and clarify rather than contradict. For new readers, you’re getting the most refined version of Ríona’s journey.

The revised edition maintains the book’s 6th grade reading level (similar to The Great Gatsby and The Girl with the Dragon Tattoo), making it accessible while preserving the sophisticated themes and rich language that fantasy readers appreciate.

Looking Forward

This revision process has been invaluable as I continue work on other projects, including Blade and Bone (my Viking romantasy launching June 2026) and the completion of the Songs of the Crowmother trilogy. Each story teaches me something new about craft, and those lessons find their way back into improving earlier work.

Echoes of the Otherworld continues to be available through all major retailers, with the revised edition now the standard version. For those seeking authentic Irish Pagan fantasy that respects both the source material and the reader’s intelligence, I believe this enhanced edition offers something truly special.

May the thin places call to you, and may you find what you seek in the Otherworld’s echoes.

Slán go fóill,
Donald


Forgotten Rites Publishing – Authentic Irish Pagan practice and Celtic fantasy for the modern seeker

P.S. If you’ve already read Echoes of the Otherworld and want to share your thoughts, I’d love to hear from you. Your feedback (whether on NetGalley, Amazon, Goodreads, or directly) helps me continue improving my craft and guides other readers to stories they’ll love.

The History of Yule: Ancient Roots of the Winter Solstice

The crackling of a hearth fire, the scent of evergreen boughs, the gathering of family and friends in the darkest time of year: these images feel timeless, and in many ways, they are. Long before shopping malls decked their halls and before the first Christmas tree was brought indoors, our ancestors celebrated the winter solstice, honoring the return of the light in traditions that spanned from the hills of Ireland to the fjords of Scandinavia.

But what exactly is Yule, and where did it come from? The history of this ancient celebration is far richer and more complex than many modern practitioners realize, weaving together threads from Celtic and Germanic cultures into the midwinter tapestry we know today.

The Celtic Winter Solstice: Grianstad an Gheimhridh

In ancient Ireland, the winter solstice was known as Grianstad an Gheimhridh, literally “the sun’s standstill of winter.” While we have limited written records from pre-Christian Ireland, the archaeological evidence speaks volumes. The passage tomb at Newgrange, built over 5,000 years ago, was precisely aligned to capture the sunrise on the winter solstice. For seventeen minutes each year, light floods the inner chamber, illuminating the darkness in a dramatic demonstration of solar rebirth.

This wasn’t mere astronomical curiosity. For the ancient Irish, the solstice marked a critical turning point in the year’s journey. The sun had reached its weakest point, the darkness its greatest strength, but from this moment forward, the light would return. The days would lengthen. Life would triumph over death once more.

Irish mythology reflects this cosmic drama. The Dagda, the “Good God” and father figure of the Tuatha Dé Danann, was said to unite with the Mórrígan at the winter solstice. This sacred marriage between the god of life, abundance, and protection and the goddess of sovereignty, battle, and fate represented the renewal of the land’s power even in winter’s depths. It was a promise that spring would return, that the cycle would continue.

The Norse and Germanic Origins

The word “Yule” itself comes from the Old Norse jól (or jólnir), which referred to a midwinter festival celebrated by the Germanic peoples of Northern Europe. The exact etymology remains debated among scholars, but it likely derives from an even older Proto-Germanic word meaning “wheel” or referring to the turning of the year: fitting for a solstice celebration that marks the sun’s symbolic rebirth.

In pre-Christian Scandinavia, Yule was one of the most important festivals of the year. It typically began around the winter solstice (approximately December 21st in the Northern Hemisphere) and lasted for twelve days or even longer. This wasn’t merely a single day’s observance but an extended period of feasting, sacrifice, and sacred observance.

The historical sources we have (primarily the sagas, eddas, and later medieval accounts) paint a picture of Yule as a time when the veil between worlds grew thin. The Wild Hunt was said to ride across the sky, led by Odin himself. Spirits of the dead might walk among the living. It was a time of both celebration and caution, of honoring the gods and ancestors while marking the sun’s return from its lowest point in the sky.

Irish Hearth and Home Traditions

In Irish tradition, the winter solstice marked the beginning of the darkest quarter of the year, a time when the household became a fortress against both physical cold and spiritual darkness. The hearth fire was central to these protections. It was never allowed to go out during the twelve days following the solstice, as it represented the life force of the home and the returning strength of the sun.

Holly and ivy played important roles in Irish solstice customs, just as they did throughout Celtic lands. Holly, with its bright red berries and sharp evergreen leaves, was hung over doorways and windows to protect against malevolent spirits. The ancient Irish recognized that while the veil was thin and ancestors might visit, not all spirits abroad at midwinter were benevolent.

Mistletoe held particular power in Celtic tradition. The Druids harvested it with golden sickles from sacred oak trees in solemn ceremony. This “all-heal” plant, which grew between earth and sky, rooted in neither, was considered a gift from the gods themselves. Its white berries, appearing in the dead of winter, were seen as drops of divine essence, and the plant was used for protection, healing, and blessing throughout the dark months.

The Blót: Sacred Sacrifice and Feasting

Central to the Norse Yule celebration was the blót (a sacrificial ritual). Animals, particularly pigs and horses, were offered to the gods, especially Freyr, the god of fertility, harvest, and prosperity. The blood of these sacrifices (hlaut) was sprinkled on altars, idols, and even the participants themselves in a form of blessing.

But the blót was about more than sacrifice: it was about community. The meat from the sacrificed animals became the centerpiece of the Yule feast, and the drinking of ale or mead was ritualized with toasts (bragarfull) to the gods, to ancestors, and for the prosperity of the coming year. These weren’t casual toasts but solemn oaths and promises made in sacred space.

The Yule feast was legendary in its abundance. After the harvest was in and livestock culled for winter, communities had stores of food and drink. Yule was the time to celebrate that abundance, to share generously with kin and community, and to demonstrate one’s honor through hospitality.

The Yule Log and Sacred Fire

One of the most enduring symbols of Yule is the Yule log, and its origins are genuinely ancient, appearing in both Germanic and Celtic traditions. In many regions, a large log was selected, often from oak or ash (both trees sacred to the Celts and Germanic peoples alike), and ceremonially brought into the home. It would be lit from a piece of the previous year’s log (kept specifically for this purpose) and was meant to burn throughout the twelve days of Yule.

This wasn’t simply about warmth. Fire was sacred across all Indo-European cultures, representing the sun’s power and the hearth’s protection. The Yule log’s burning was a form of sympathetic magic: by keeping the sacred fire alive through the darkest nights, communities symbolically ensured the sun’s return and the continuation of life itself.

The ashes from the Yule log were considered powerful and were often kept for protection, scattered on fields for fertility, or used in healing rituals throughout the year. In Ireland, these ashes might be mixed with water and used to bless livestock or mark protective symbols on doorways.

The Cailleach and the Coming of Winter

Irish mythology gives us another lens through which to view the winter solstice: the figure of the Cailleach. This divine hag, whose name means “the veiled one,” was associated with winter, storms, and the wild places. In Scottish and Irish tradition, the Cailleach was said to reign over the land from Samhain until Bealtaine, with the solstice marking the deepest point of her power.

But the Cailleach was not simply a destroyer. She was also a shaper of the landscape, a protector of deer and wild creatures, and ultimately, a necessary part of the cycle. Her presence ensured that the land would rest, that spring’s return would be all the more precious for winter’s hardship. The solstice, then, wasn’t just about the sun’s return but about honoring the darkness that made that return meaningful.

The Wild Hunt and the Spirits Abroad

One of the most haunting aspects of historical winter solstice celebrations is the belief in the Wild Hunt: Oskoreia in Norse tradition, Herlaþing in Anglo-Saxon lore, and similar traditions throughout Celtic lands where it might be led by fairy folk or ancient heroes. During the twelve nights following the solstice, supernatural processions were said to ride across the night sky.

In Ireland, these nights were particularly dangerous for the unwary. The sídhe (the fairy folk) were active, and encountering them could mean being taken to their realm or driven mad. People took precautions: leaving offerings, carrying protective herbs like rowan or juniper, and staying close to the hearth fire after dark.

This spectral hunt was both terrifying and sacred. To witness it might mean doom, but it also represented the procession of the dead, the honoring of ancestors, and the wild, untamed power of winter. This belief reflects something profound about the ancient solstice: it wasn’t all warmth and celebration. It was also a time when the darkness was acknowledged, when the powers of the otherworld were respected, and when the mysteries of death and rebirth were confronted directly.

From Pagan Rite to Christian Holiday

As Christianity spread through Northern Europe and the Celtic lands, the Church faced a practical problem: people loved their midwinter celebrations. The solstice observances were deeply embedded in the culture, tied to agricultural cycles, and central to community identity.

Rather than attempting to eliminate these practices, Church authorities instead co-opted them. The birth of Christ was strategically placed near the winter solstice (though no one knows Jesus’s actual birth date), and many Yule and Celtic solstice traditions were absorbed into Christmas. The Yule log became the Christmas log. The twelve days became the twelve days of Christmas. The evergreen decorations remained, though their meanings shifted. In Ireland, old traditions often persisted with a thin Christian veneer: holly remained protective, the hearth fire still burned continuously, and the boundary between worlds stayed thin at midwinter.

This wasn’t a simple replacement, though. For centuries, older traditions existed alongside Christian ones, sometimes blended, sometimes practiced separately. In many rural areas, particularly in Ireland and Scandinavia, pre-Christian practices persisted well into the modern era, creating a rich tapestry of folk customs that drew from multiple sources.

Modern Yule Revival

Today, Yule has experienced a renaissance among Pagans, Heathens, Celtic Reconstructionists, and those seeking to reconnect with pre-Christian European traditions. Modern celebrations draw from historical sources while adapting practices for contemporary life, often weaving together Norse, Germanic, and Celtic elements into personalized observances.

Many modern practitioners focus on the astronomical event of the solstice itself, celebrating the literal return of the sun. Others reconstruct historical practices as faithfully as possible: Irish Pagans might honor the Dagda and the Mórrígan’s union, visit Newgrange (when possible), or maintain continuous hearth fires. Norse-inspired practitioners offer toasts to the old gods and burn Yule logs. Still others create eclectic celebrations that honor the spirit of the season while incorporating elements from various traditions.

What unites these diverse approaches is a focus on themes that have always been central to midwinter celebrations: the return of light from darkness, the importance of community and generosity, the honoring of ancestors, and the turning of the wheel of the year. Whether working within Irish, Norse, or pan-European frameworks, modern practitioners recognize that the solstice is a powerful threshold moment worthy of reverence and celebration.

The Enduring Spirit of Yule

Whether you celebrate Yule, Christmas, Hanukkah, or simply mark the winter solstice, you’re participating in something ancient. The human impulse to light fires against the darkness, to feast when stores are full, to honor what has passed while welcoming what’s to come: these are older than any single tradition.

The history of Yule and the Celtic winter solstice reminds us that our celebrations are rooted in the rhythms of the earth itself. The solstice is real, astronomical, inevitable. The sun does return. The light does grow. And gathering together in the darkness to celebrate that promise, that’s as human as it gets.

So this Yule season, whether you’re lighting a Yule log or simply a candle, whether you’re honoring the Dagda and the Mórrígan or toasting the Æsir, whether you’re visiting Newgrange in spirit or gathering with family around your own hearth, know that you’re part of a tradition that stretches back millennia. You’re participating in humanity’s long conversation with the darkness and the light, walking the same path our ancestors walked beneath the winter stars.

Hail the returning sun. Hail the promise of spring. Hail the season of Yule.

___

Welcome to Forgotten Rites: A New Chapter Begins

Welcome to the Forgotten Rites blog, a space where mythology whispers, dark fantasy breathes, and horror echoes through the spaces between worlds.

I’m Donald Quill, author and founder of Forgotten Rites Publishing. This blog is my invitation to you to step deeper into the worlds I’ve created and the stories that haunt my imagination.

What You’ll Find Here:

Stories woven from ancient cosmologies and grounded in meticulous historical research. Explorations of Celtic mythology, dark fantasy worldbuilding, and the intersection of history and horror. Behind-the-scenes glimpses into my creative process. Discussions about memory, belief, and the thin places where the sacred and the sinister intertwine.

My Current Works:

From the Threads of Silence explores the unseen connections that bind us all. Echoes of the Otherworld and Broken Rites launch readers into a mythic reimagining of ancient Ireland where gods fade and prophecies burn. The House on Ashburn Street delves into psychological horror and haunted bloodlines.

Whether you’re drawn to lyrical prose, Celtic deities, supernatural terror, or stories that ask unsettling questions, there’s something here for you.

Thank you for being here. The whispers begin now.

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